By Scott Hess
Arguing for continuity among eighteenth-century literature and the increase of Romanticism, this groundbreaking ebook lines the effect of latest print industry stipulations at the improvement of the Romantic poetic self.
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Dramatic alterations within the examining public and literary industry in early nineteenth-century England not just altered the connection among poet and reader, those alterations triggered marked adjustments in conceptions of the poetic textual content, literary reception, and authorship. With the decline of patronage, the increase of the unconventional and the periodical press, and the emergence of the mass interpreting public, poets may perhaps not imagine the lifestyles of an viewers for poetry.
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Extra resources for Authoring the Self: Self-Representation, Authorship, and the Print Market in British Poetry from Pope through Wordsworth (Literary Criticism and Cultural Theory)
Authoring the Self: Self-Representation, Authorship, and the Print Market in British Poetry from Pope through Wordsworth (Literary Criticism and Cultural Theory) by Scott Hess