By Jason Sperb
From his movie competition debut Hard Eight to formidable studio epics Boogie Nights, Magnolia, and There could be Blood, Paul Thomas Anderson’s detailed cinematic imaginative and prescient makes a speciality of postmodern extra and media tradition. In Blossoms and Blood, Jason Sperb experiences the filmmaker’s evolving aesthetic and its ancient context to argue that Anderson’s motion pictures create new, usually ambivalent, narratives of yank id in a media-saturated world.
Blossoms and Blood explores Anderson’s movies relating to the classy and monetary shifts in the movie and to America’s altering social and political sensibilities because the mid-1990s. Sperb offers an auteur learn with vital implications for movie background, media reviews, cultural reports, and gender reviews. He charts significant subject matters in Anderson’s paintings, resembling stardom, self-reflexivity, and masculinity and exhibits how they're indicative of traits in overdue twentieth-century American tradition. one of many first books to target Anderson’s paintings, Blossoms and Blood finds the improvement of an under-studied filmmaker attuned to the contradictions of a postmodern media culture.
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Extra resources for Blossoms and Blood: Postmodern Media Culture and the Films of Paul Thomas Anderson
Blossoms and Blood: Postmodern Media Culture and the Films of Paul Thomas Anderson by Jason Sperb