By Robert Thomas Lambdin,Laura Lambdin
For centuries, money owed of King Arthur and his court docket have involved historians, students, poets, and readers. each one age has additional fabric to mirror its personal cultural attitudes, yet no period has supplemented the sooner models greater than the poets of the Medieval Revival of nineteenth-century England. This publication examines how Arthurian legend was once learn and rewritten in the course of that interval by way of 4 enduring writers: Alfred Lord Tennyson, Matthew Arnold, William Morris, and Algernon Charles Swinburne. whereas different works have checked out Arthurian legend in mild of nineteenth-century social stipulations, this quantity specializes in how those poets approached love and demise of their works, and the way the legend of Arthur formed their vision.
An introductory bankruptcy lines Arthurian legend from its inception. The chapters that stick with are each one dedicated to a specific author's use of Arthurian fabric in an exploration of affection and loss of life. For Tennyson, love ends up in belief, and while belief is shattered, demise quickly follows. Arnold, nonetheless, advocates moderation, in order that the lack of a friend produces neither debilitating soreness nor just a light depression. Morris concentrates at the variations among actual and non secular love, whereas Swinburne provides an international suffering from love and within which demise is the single release.
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Extra info for Camelot in the Nineteenth Century: Arthurian Characters in the Poems of Tennyson, Arnold, Morris, and Swinburne: Arthurian Characters in the Poems of Tennyson, ... to the Study of World Literature)
Camelot in the Nineteenth Century: Arthurian Characters in the Poems of Tennyson, Arnold, Morris, and Swinburne: Arthurian Characters in the Poems of Tennyson, ... to the Study of World Literature) by Robert Thomas Lambdin,Laura Lambdin