
By Keith Harrison
ISBN-10: 3319597426
ISBN-13: 9783319597423
This booklet explores how Bakhtin’s rules can remove darkness from the compelling yet uneasy fusion of Shakespeare and cinema. With a wide selection of tones, languages, cultural orientations, and thematic issues, movie administrators have up-to-date, translated, transposed, fragmented, parodied, and geographically re-situated Shakespeare. Keith Harrison illustrates how Bakhtin’s interlinked writings in a number of fields can fruitfully be utilized to an figuring out of ways the continuing responsiveness of filmmakers to Shakespeare’s traditionally distant phrases can form self-expressive acts of co-authoring in one other medium. by using such Bakhtinian thoughts because the chronotope, heteroglossia, the carnivalesque, and polyphony, Harrison information how filmmakers—faithful to their particular cultures, genders, geographies, and old moments—dialogically find their particularity via Shakespeare’s presence.
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Shakespeare, Bakhtin, and Film: A Dialogic Lens by Keith Harrison
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