Download e-book for iPad: The Abyss of Representation: Marxism and the Postmodern by George Hartley

By George Hartley

ISBN-10: 0822331144

ISBN-13: 9780822331148

ISBN-10: 0822331276

ISBN-13: 9780822331278

From the Copernican revolution of Immanuel Kant to the cognitive mapping of Fredric Jameson to the postcolonial politics of Gayatri Chakravorty Spivak, illustration has been posed as either critical and very unlikely. In his pathbreaking paintings, The Abyss of Representation, George Hartley lines the advance of this very unlikely necessity from its German Idealist roots via Marxist theories of postmodernism, arguing that during this era of skepticism and globalization we're nonetheless grappling with matters introduced forth in the course of the age of romanticism and revolution. Hartley indicates how the trendy challenge of representation—the lack of ability of a determine to do justice to its object—still haunts modern day postmodern philosophy and politics. He unearths the methods the chic abyss that spread out in Idealist epistemology and aesthetics resurfaces in contemporary theories of ideology and subjectivity.

Hartley describes how smooth conception from Kant via Lacan makes an attempt to return to phrases with the chic limits of illustration and the way principles constructed with the Marxist tradition—such as Marx’s idea of price, Althusser’s conception of structural causality, or Zizek’s conception of ideological enjoyment—can be noticeable as variations of the elegant item. illustration, he argues, is eventually a political challenge. no matter if that challenge be a Marxist illustration of worldwide capitalism, a deconstructive illustration of subaltern ladies, or a Chicano self-representation opposing Anglo-American photographs of Mexican american citizens, it's only via this grappling with the destructive, Hartley explains, Marxist thought of postmodernism can start to deal with the demanding situations of worldwide capitalism and resurgent imperialism.

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The Abyss of Representation: Marxism and the Postmodern Sublime (Post-Contemporary Interventions) by George Hartley


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