By Andrea Staiti,Evan Clarke
Despite an ever-growing scholarly curiosity within the paintings of Edmund Husserl and within the heritage of the phenomenological circulate, a lot of the contemporaneous scholarly context surrounding Husserl's paintings is still shrouded in darkness. whereas a lot has been written concerning the evaluations of Husserl's paintings linked to Heidegger, Levinas, and Sartre, relatively little is understood of the debates that Husserl used to be at once focused on. the current quantity addresses this hole in scholarship via featuring a finished choice of contemporaneous responses to Husserl's paintings. Ranging in date from 1906 to 1917, those texts bookend Husserl's landmark Ideas for a natural Phenomenology and Phenomenological Philosophy (1913). the choice encompasses essays that Husserl answered to at once within the Ideas I, in addition to the various severe and sympathetic essays that seemed within the wake of its ebook. considerably, the current quantity additionally contains Husserl's next responses to his critics. all the texts integrated were translated into English for the 1st time, introducing the reader to a variety of long-neglected fabric that's hugely suitable to modern debates concerning the which means and hazard of phenomenology.
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The Sources of Husserl’s "Ideas I" by Andrea Staiti,Evan Clarke
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